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Seto Sometsuke Markings - Kamajirushi

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Seto Production Kiln Markings
Kamajirushi are the small markings on pots that identify the potter or production kiln. Seto ware is generally made in Seto City, Aichi Prefecture. "Seto" itself refers to both the city and the style of pottery that originated there. Seto is also one of Japan's
six old kilns. "Sometsuke" refers to cobalt blue underglazed ware.
Piece by Kondo Yuzo, a Living National Treasure


Seto Sometsuke Overview
Porcelain came to Seto rather late. It first appeared in the beginning of the 19th century when Kato Tamikichi returned to Seto from Kyushu and successfully fired cobalt-decorated porcelain. This is called Seto-Sometsuke. Tamikichi is regarded as "the father of porcelain" in the Seto region. Seto Sometsuke played an important role is Seto's ceramic history from then on until a few decades ago when it lost it's vitality. These days a group of Seto potters is trying to revive the style and many of their kamajurushi are shown below along with some of the ancient greats.

Sometsuke Piece


Below is a list showing the kamajirushi of some of Seto's most popular potters, production kilns, and the kiln's name. Note: kama (kiln) is read as gama after the name.

 Kamajirushi of Sometsuke Masters

Potter Name

Kamajirushi

Potter Name

Kamajirushi

Kato Gosuke IV

Kato Gosuke IV

Kato Shubei II

Kato Shubei II

Kato Senpachi

Kato Senpachi

Kato Tamikichi

Kato Tamikichi

Kato Shohei

Kato Shohei

Kawamoto Rikichi

Kawamoto Rikichi

Kato Zenji III

Kato Zenji III
Kato Zenji III
Kato Zenji III

Kawamoto
Masukichi

C:\NOF7.5\User Sites\e-yakimono-NOF7\Assets\Kawamoto Masukichi
Kawamoto Masukichi

The above kamajurushi were taken from two books:

  • The Grace and Workmanship of Porcelain - Unfolding Developments in Japan ( Aichi Prefectural Ceramic Museum, 1998)
  • Ceramics of Seto, 1300 Years
    (Aichi Prefectural Ceramic Museum, 1995)


 Seto Production Kiln Markings - Most Recent

Name

Kamajirushi

Name

Kamajirushi

Bakuzan-gama
(or  Midori-gama)

Bakuzan-gama or  Midori-gama

Miura
jikikazu-gama

Miurajikikazu-gama

Beni-gama

Beni-gama

Nanzan-gama

Nanzan-gama

Bukugamarishuuen

Bukugamarishuuen

Raku-youbou

Raku-youbou

Dousen-gama

Dousen-gama

Ryusen-gama

Ryusen-gama

Gokuhou-gama

Gokuhou-gama

Setohongyou-gama

Setohongyou-gama

Goshun-gama

Goshun-gama

Shingyoku-en

Shingyoku-en

Hantou-gama

Hantou-gama

Shinzan-gama

Shinzan-gama

Hazuki-gama

Hazuki-gama

Shousai-gama

Shousai-gama

Housen-gama

Housen-gama

Shouzan-gama

Shouzan-gama

Houzan-gama

Houzan-gama

Shunpou-gama

Shunpou-gama

Iwaemon-gama

Iwaemon-gama

Sometsuke
kamayashin-gama

Sometsuke kamayashin-gama

Kamamoto Ryuen

Kamamoto Ryuen

Sometsuke-touhou

Sometsuke-touhou

Kanejyuu-gama

Kanejyuu-gama

Sosen-gama

Sosen-gama

Kayama-gama

Kayama-gama

Sozan-you

Sozan-you

Kinpou-gama

Kinpou-gama

Suihou

Suihou

Kouchi-gama

Kouchi-gama

Toujyu-en

Toujyu-en

Kouseki-gama

Kouseki-gama

Tsubaki-gama

Tsubaki-gama

Maeyama-gama

Maeyama-gama

Yuuho-gama

Yuuho-gama

Maru-gama

Maru-gama

Yuzan-gama

Yuzan-gama

Midori-gama
(or Bakuzan-gama)

Midori-gama or Bakuzan-gama

 

 


There are whole books devoted to kamajirushi for individual potters such as Kogei Shuppan's Gendai no Tougei East and West and others showing the thousands of marks which have been used throughout the centuries here. A good resource of kamajirushi is essential for any collector or scholar of Japanese pottery.

Other Kamajirushi
Bizen Kiln Markings
Karatsu Kiln Markings

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