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A 'leaky roof' grouping of stains or spots - mostly found on kohiki wares.
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An accidental break in a piece, usually on the lip where a potters trimming tool has hit or skipped over an impurity.
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'Vitrified glass' taken from the Portuguese word for glass. Found mainly on Iga wares. Also sometimes called a tombo no me (or dragonfly's eye).
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'Sesame' colored natural glaze from pine ash that fuses and melts on a pot. Some goma are called nagare-goma (flowing goma) or tobi-goma (spotted flying goma).
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White slip that has been applied with a stiff brush.
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'Fire cord' markings from straw that was wrapped around a pot and burned off in the kiln. Found mainly on Bizen wares.
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A place where glaze has not been applied and the quality of the clay can be seen.
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A place on a pot where a piece from another pot has broken off and fused on the surface.
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A 'stone explosion.' Often found on Bizen and other yakishime (high-fired unglazed stonewares) - mostly accidental but some potters add stones for an intentional ishihaze.
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Crawling of the glaze - mainly seen on Karatsu and Hagi wares around the kodai (foot).
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A crack that happens in a kama (kiln). Usually these pieces are not thrown away.
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Found mainly on Karatsu wares - an iron band is drawn around the lip - said to resemble whale's skin.
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'Scorch' markings found on Ki-Seto and Iga wares.
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Spur marks left on a pot after stacking in a kiln.
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Copper green marks found on Ki-Seto wares.
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The 'flavor' of the clay.
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A 'mountain path' lip - sometimes also called Gokaku or Gohou for the lip looks like five mountains from China.
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'Kiln changes.' Most often a build up of ash on a yakishime piece and deep blues, browns, and reds - often seen on Bizen.
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Finger impressions left after a potter has glazed a piece - often found on Shino wares.
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